BRUNO MUNARI
ENNIO MORLOTTI
ATANASIO SOLDATI
FRANCO GRIGNANI
GINO GHIRINGHELLI
MAURO REGGIANI
GIUSEPPE CAPOGROSSI
AGOSTINO BONALUMI
MARIO RADICE
MANLIO RHO
OSVALDO LICINI
ENRICO PRAMPOLINI
GUILIO TURCATO
PIERO DORAZIO
ACHILLE PERILLI
RENATO BIROLLI
EMILIO VEDOVA
LUCIO FONTANA
PIERO MANZONI
ENRICO CASTELLANI
PAOLO SCHEGGI
DADAMAINO
27 June 2012 - 9 September 2012
In Astratto explored fifty years of innovation in Italian abstraction, and presented a comprehensive survey of the myriad approaches to the subject that emerged during the key period from 1930 to 1980.
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MAURO REGGIANI
ENRICO PRAMPOLINI
ACHILLE PERILLI
EMILIO VEDOVA
OSVALDO LICINI
BRUNO MUNARI
AFRO
GIACOMO BALLA
UMBERTO BOCCIONI
ALBERTO BURRI
GIUSEPPE CAPOGROSSI
ETTORE COLLA
LUCIO FONTANA
ALBERTO MAGNELLI
FAUSTO MELOTTI
28 June 2006 - 24 September 2006
Abstraction first emerged in Italian art around 1910, when painters belonging to the Futurist school began developing their studies of light and motion in bold new directions, depicting ‘the essential force lines of speed’ as brightly-coloured arcs and thrusting, jagged forms.
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