9 September 1998 - 13 December 1998
This exhibition of 23 Futurist works on loan from the Galleria Nazionale d’Arte Moderna, Rome, linked the first and second waves of Futurism through the works of Giacomo Balla (1871-1958). Balla was already well established as an artist and teacher before coming under the influence of Futurism in 1910. His extraordinary versatility and creativity had a profound influence on his contemporaries and the eight canvases on show were from his most vibrant Futurist period.
Read more...4 October 2000 - 22 December 2000
Fortunato Depero (1892-1960) was born in the mountainous region of Trentino, North Italy, attending the Scuola Reale Elisabettina, an applied arts institute. He was a painter, a sculptor, decorative artist, poet and writer as well as an interior, stage, costume and graphic designer. This exhibition featured 108 of his works, showing the range of media in which the artist excelled.
Read more...12 January 2011 - 3 April 2011
Containing works by artists including Filippo de Pisis, Fortunato Depero and Giorgio de Chirico, the collection of Alberto Della Ragione provides an extraordinarily comprehensive overview of Italian Modernism.
Read more...4 July 2018 - 16 September 2018
This exhibition celebrated Campari’s rich heritage in creativity and design, showcasing the ground-breaking advertising and packaging designs responsible for establishing and maintaining unrivalled global recognition for the brand.
Read more...17 April 2019 - 23 June 2019
Milan’s Ramo Collection comprises nearly 600 works on paper by artists belonging to some of the most important movements and tendencies in twentieth-century Italian art. This exhibition – the first to present a selection of drawings from the Collection outside Italy – explored the discipline as more than just a ‘preparatory’ activity, considering it as an art form in its own right.
Read more...6 January 1999 - 11 April 1999
This exhibition explored the editorial production of the Futurist movement (1909-1944) through manifestos, magazines, posters, parole-in-liberta and books. The Futurists proclaimed a desire to destroy all libraries in 1909 when, ironically, their literary production would have substantially increased the holdings of any such establishment. They also orchestrated a fundamental renovation of the book in graphic form, just as it faced a treat from the introduction of radio and cinema.
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