16 January 2008 - 6 April 2008
Comprising over 120 works by many of the most prominent Italian artists of the Modernist era, the Estorick Collection opened to the public in January 1998. Described by Sir Nicholas Serota as 'one of the finest collections of early 20th century Italian art anywhere in the world', it was formed in the late 1940s and early 1950s by Eric Estorick (1913-93), an American art-dealer, writer and political scientist, and is the only collection in the United Kingdom dedicated to this turbulent and fascinating period of Italian art.
Read more...22 September 2010 - 19 December 2010
Whilst several major exhibitions have explored the propaganda imagery of Fascist Italy, art produced by those opposed to Mussolini and his regime has received surprisingly little attention. Against Mussolini brought together works produced in Italy and abroad throughout the Fascist era (1922- 43), but focused particularly on the period immediately after the dictator's fall from power following Italy's disastrous Second World War campaign. These last tragic years saw the re-emergence of Mussolini as the puppet leader of a Fascist administration in the north of the country and the onset of a bitter civil war, as the Resistance fought alongside the Allies to restore democracy and liberate Italy from tyranny.
Read more...15 January 2016 - 3 April 2016
A giant of twentieth-century sculpture, Giacomo Manzù (1908-1991) is best known for delicate and moving work focusing predominantly on portraiture and religious imagery. As sensitive to line as to form, his drawings exhibit the same restrained power and sinuous qualities familiar from his more celebrated bas-reliefs and three-dimensional work.
Read more...17 April 2019 - 23 June 2019
Milan’s Ramo Collection comprises nearly 600 works on paper by artists belonging to some of the most important movements and tendencies in twentieth-century Italian art. This exhibition – the first to present a selection of drawings from the Collection outside Italy – explored the discipline as more than just a ‘preparatory’ activity, considering it as an art form in its own right.
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