MAURO REGGIANI
ENRICO PRAMPOLINI
ACHILLE PERILLI
EMILIO VEDOVA
OSVALDO LICINI
BRUNO MUNARI
AFRO
GIACOMO BALLA
UMBERTO BOCCIONI
ALBERTO BURRI
GIUSEPPE CAPOGROSSI
ETTORE COLLA
LUCIO FONTANA
ALBERTO MAGNELLI
FAUSTO MELOTTI
28 June 2006 - 24 September 2006
Abstraction first emerged in Italian art around 1910, when painters belonging to the Futurist school began developing their studies of light and motion in bold new directions, depicting ‘the essential force lines of speed’ as brightly-coloured arcs and thrusting, jagged forms.
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CARLA ACCARDI
VINCENZO AGNETTI
GIOVANNI ANSELMO
AFRO
GIACOMO BALLA
GIANFRANCO BARUCHELLO
MIRELLA BENTIVOGLIO
TOMASO BINGA
UMBERTO BOCCIONI
ALIGHIERO BOETTI
ALBERTO BURRI
CAGNACCIO DI SAN PIETRO
GIUSEPPE CAPOGROSSI
FELICE CASORATI
ENRICO CASTELLANI
PIETRO CONSAGRA
ROBERTO CRIPPA
GIORGIO DE CHIRICO
FORTUNATO DEPERO
PIERO DORAZIO
TANO FESTA
LUCIO FONTANA
DOMENICO GNOLI
RENATO GUTTUSO
EMILIO ISGRÒ
JANNIS KOUNELLIS
MARIA LAI
BICE LAZZARI
PIERO MANZONI
GIACOMO MANZÙ
MARINO MARINI
FABIO MAURI
FAUSTO MELOTTI
MARIO MERZ
BRUNO MUNARI
GIULIO PAOLINI
PINO PASCALI
ACHILLE PERILLI
ENRICO PRAMPOLINI
MARIO RADICE
CAROL RAMA
MANLIO RHO
MEDARDO ROSSO
SALVO
ANTONIO SANFILIPPO
ALBERTO SAVINIO
MARIO SCHIFANO
GINO SEVERINI
ATANASIO SOLDATI
TANCREDI
GIUSEPPE UNCINI
GRAZIA VARISCO
ADOLFO WILDT
17 April 2019 - 23 June 2019
Milan’s Ramo Collection comprises nearly 600 works on paper by artists belonging to some of the most important movements and tendencies in twentieth-century Italian art. This exhibition – the first to present a selection of drawings from the Collection outside Italy – explores the discipline as more than just a ‘preparatory’ activity, considering it as an art form in its own right.
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