Alessandro Mendini Exhibition Catalogue

This catalogue was published to accompany the exhibition Alessandro Mendini, currently on show at the Estorick Collection.

Born in Milan, Mendini worked with figures like Robert Venturi and Ettore Sottsass in addition to editing Casabella, Domus and Modo (which he founded), becoming a central voice in postmodernism – his work being defined by its wit and exuberance, and by a broad spectrum of artistic references that shaped his unique approach to design.

A significant source of inspiration was the Italian Futurist movement of the early 20th century. Mendini shared its utopian ambition to ‘reconstruct the universe’ by fusing art and everyday life. The exhibition highlights this connection through two bold works in fabric dedicated to Futurist artist Fortunato Depero, as well as a series of “mechanical masks” paying tribute to figures such as F. T. Marinetti, Giacomo Balla, Umberto Boccioni, Gino Severini and Antonio Sant’Elia.

The exhibition explores other aspects of the close relationship between Mendini’s work and that of the historical avant-gardes. Highlights of the show include a Kandissi sofa, inspired by Kandinsky’s abstract compositions, whilst a later group of sculptures and vases reference the mannequin-like figures that appear in Malevich’s works of the 1930s. Also featured is the celebrated Proust Armchair of 1978: a neo- Baroque item of furniture transformed with Pointillist colour. Such pieces epitomise Mendini’s simultaneously respectful and irreverent engagement with art history – a consistent feature of his work being its gleeful subversion of the Modernist dictum ‘form follows function’.

The catalogue includes all the works featured in the exhibition as well as an introduction from Roberta Cremoncini (Director, Estorick Collection) and an essay by exhibition curator Alberto Fiz.

Hardback: 96 pages
Publisher: Estorick Foundation (2025)

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