This exhibition explored a little-known period of Italian cinematic history, highlighting the strong Modernist influence apparent in the set designs created for a number of romantic comedies during the inter-war years. A selection of vintage photographs were complemented by sketches and contemporary periodicals sourced from the Cineteca Nazionale, Centro Sperimentale di Cinematografia (Rome), the Cineteca di Bologna, the Museo Nazionale del Cinema (Turin) and the RIBA Collections. Rationalism on Set was on display at the Estorick Collection from 18 April until 24 June 2018.
Until recently, Italy’s contributions to architecture and cinema in the 1930s have been overlooked. The exhibition will look at the role played by Italian architects and architectural culture in the development of a Modernist aesthetic for film sets of the 1930s, which was increasingly adopted in contemporary films, largely due to the production company Cines, which sought to raise the quality of Italian cinema after a period of decline in the 1920s.
Many architects recognised the powerful role that cinema could play in popularising modern architecture; some, like Giuseppe Capponi, got personally involved with set design, while others, such as the editors of Casabella and Domus, vocally supported their colleagues’ efforts to reflect in film settings the latest developments in architecture and to ‘educate’ the public by familiarising them with modern design.
These modern sets were often photographed prior to filming, and it is these photographs – which could be easily confused with the images of real interiors published by contemporary architectural journals – that will be on display. Comparing them with images of contemporary architecture from the RIBA Collections highlighted influences such as that of the Bauhaus, and reveal the international rather than local character of these films’ Modernist aesthetic.
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2 May - 24 June 2018
The Estorick Collection continued its series of occasional interventions by Italian contemporary artists with Franco Rasma (b.1943). Here, 20 works in oil on wood painted by Rasma were shown alongside the Estorick’s permanent collection of modern Italian art. Redolent of Metaphysical art, Rasma’s paintings seem simultaneously contemporary and archaic. His manner of representing objects evokes a parallel universe and contains a narrative dimension where the unconscious is the protagonist. Franco Rasma was born in Borgomanero in Piedmont, Northern Italy. His paintings and sculptures evoke a reality from memories, dreams and unconscious thoughts. Rasma combines two worlds - simple objects from everyday life and imaginative sensory experiences.
In his dreamlike paintings he uses a limited palette - from pale yellow to brown to black. Strange animals or lonely human figures are intertwined with evocative, sometimes impossible landscapes.