The Disquieting Muses from 1968 – a gilded bronze statue of two figures; one sitting, one standing.

The Disquieting Afternoon from 1972 – a pencil drawing of two figures amongst buildings; one sitting, one standing.

The Archaeologists from 1966 – a gilded bronze statue of two seated figures.

Hector and Andromache from 1942 – an oil canvas of two standing figures.

Images, left from top: The Disquieting Muses, 1968; The Disquieting Afternoon, 1972; The Archaeologists, 1966; Hector and Andromache, 1942;

Giorgio de Chirico
Myth and Mystery
15 January – 19 April 2014

The visionary work of Giorgio de Chirico (1888-1978) had an enormous impact on the course of twentieth-century art. His unsettling ‘Metaphysical’ imagery – with its illogical perspectives, looming mannequins and bizarre juxtapositions of objects – anticipated Surrealism’s fascination with the irrational and the workings of the subconscious by many years. Even before the First World War, de Chirico had declared: ‘To be really immortal a work of art must go beyond the limits of the human: good sense and logic will be missing from it. In this way it will come close to the dream state, and also to the mentality of children.’

Although best known as a painter, de Chirico was fascinated by sculpture throughout his career, believing it to possess a mysterious spectral quality. Statues set in deserted city squares were a key element of his iconography from 1909 onward, and toward the end of the 1930s the artist began to experiment with sculpture, creating terracotta versions of the enigmatic figures that had long populated his paintings. In these works, which reflect de Chirico’s enduring fascination with classical subjects, characters from mythology such as Hector and Andromache take on the forms of tailors’ dummies or intricately constructed automatons. During the 1960s he produced bronze versions of such works, and subsequently began to create multiples, often with highly-polished gold or silver finishes. The exhibition focuses on these late pieces in particular and also includes a number of drawings and paintings on related themes. Such was the success of his work in this field that in 1972 de Chirico was awarded the prestigious Ibico Reggino Prize for Sculpture, alongside Henry Moore.

Organised in collaboration with Galleria d’Arte Maggiore – Bologna (Italy), Myth and Mystery illuminates an aspect of de Chirico’s career that will be unfamiliar to many, vividly evoking that sense of magic and surprise which the artist associated with sculpture, and reaffirming his position as one of the most important and consistently imaginative figures of modern Italian art.

Hector and Andromache from 1968 – a patinated bronze statue of two standing figures.

Image, above: Hector and Andromache, 1968
All images Giorgio de Chirico ©DACS 2014.

Pablo Echaurren: Iconoclast
19 March – 18 May 2014

A display of collages by Pablo Echaurren, son of the Surrealist painter Sebastian Matta.

These works reflect the artist’s fascination with cartoon imagery, and incorporate fragments taken from the Futurist and Dadaist publications of which Echaurren is an avid collector, constituting a homage to the vitality of the Modernist avant-garde.

Noi by Pablo Echaurren from 2012 – a collection of images and writing.

Pablo Echaurren, Noi, 2012

Supported by
Vini Italiani